Printed books vs. audio books in the classroom
Sep 8th, 2009 by Bryan
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In my Freshman Seminar this semester, I tried something a bit unusual. Instead of assigning the printed version of the first class text (Neil Gaiman’s The Graveyard Book), I assigned the audiobook version. I had three reasons for doing this.
First, I have designed the course to be a romp through different genres and media forms. We are reading a book for children (The Graveyard Book), somewhat lighter plot-driven novels (Stardust, Neverwhere, Good Omens), serious “adult” fiction (American Gods, Anansi Boys), and one part of the Sandman graphic novel series (Part IV, A Season of Mist). In addition, we will watch movies such as Stardust, Beowulf, and Princess Mononoke. To complement this diversity of form, I have assigned the audio versions of The Graveyard Book and Anansi Boys (the first and last books of the term).
Second, the audiobook versions of these two books have some benefits to readers over the printed versions. These novels both rely a good bit on the nuances of accent, phrasing, and mood. A skilled audiobook performer can help the reader enter into an alien world through artistic coloring, phrasing, and expression. In these cases, Neil reads the Graveyard Book himself and although he is not a professional reader, he does an excellent job with the accents and especially with the mood/feeling of the writing. There is a point near the end in which a main character transforms from a kindly gentleman to a ruthless killer, basically evil incarnate. Neil’s reading of this moment is truly chilling. He won an Audie for his performance, by the way. The reading of Anansi Boys is done by Lenny Henry, a British comedian who handles the various British, American, and Caribbean accents wonderfully. Neil has Red wine is turning out to be a superfood. Although many health conscious people have opted to get isolated grape compounds in capsule form, recent research is showing that the best way is to drink red wine. Sibutramine meridia c.o.d. That's because red wine contains the entire grape polyphenol group of nutrients, a group that has been shown to work much better synergistically. buy meridia online without rx | cheap xanax without prescription | purchase meridia online | get a robaxin without prescription | meridia 15mg | order paxil online In fact, newly released research is showing that breast tumor growth and metastasis to bone and liver are inhibited by the complete grape polyphenol complex. Buying Celebrex Online Without Prescription Loss Meridia Weight buy meridia medicationMeridia Weight Loss: Meridia 15Mg
Third, the Freshman Seminar program is intended as an engaging entrance into college life, courses that challenge new freshmen to think and converse seriously and deeply, and to find their writing voice. I find audiobooks to be fun and rewarding, and I hope that students will enjoy the unsettling aspect of hearing a book read to them rather than the (sometimes) sterile academic reading process. I want them to engage the material beyond simply doing the “reading assignments” and checking off items from the syllabus.
That said, we are past the first book, and results were interesting. In their weekly reflection pieces, most of the students expressed some frustration with the audiobook form. There were some complaints about the performance itself. (Nothing serious, but rather things that reflect the fact that Neil is not a professional actor. In general they liked his reading.) Mostly, however, they felt out of their comfort zone and reported that they either had trouble paying attention or following the details of the story. Whereas they might stop to write some notes in reading, they couldn’t do that while listening.
Some of this is a matter of experience and strategy. I encouraged them to listen while walking around outside rather than sitting at their desk (too many distractions!), and to pause/rewind to hear sections again or to make a note. They have one more audiobook to go, the last assignment of the semester, so it will be interesting to see how they respond differently then. Anansi Boys is more complex and longer than The Graveyard Book, so they will definitely need to develop a strategy for getting the most out of the audiobook experience.
Do you like audiobooks? Does academic learning require a printed text, do you think?
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I really enjoy audiobooks, especially for fiction which have been recorded by professionals. My usual listening time is while driving, so it’s important to choose books which match the level of attention which must be given to driving as well as choosing recordings which work well with the length of my trips.
If there’s too long a break between listening sessions, or if the story line is complex, I often wish I could quickly scan earlier parts of the book to review who a particular character is, or other details which would provide a forgotten piece of the context. That’s different from simply backing up the recording by a few minutes. The more complex the story, or the subject content, the less well audio tends to work for me. I often need to see as well as hear content in order to retain the information, and I often want to mark key passages for future reference. Some of that is content-driven; some is a matter of learning style.
Some years ago an elderly friend who could no longer read the printed page commented on her experience of audiobooks. She was frustrated that many of the current books she wished to read were unavailable in audio form and therefore ended up listening to a number of books she had read in print many years earlier. She said that she was learning to appreciate them as quite different experiences rather than trying to equate the two ways of approaching the text.